The Black Wolves of Boston
The Black Wolves of Boston is a fun and enjoyable novel following four characters immersed in a civil war between Wicker Witches, werewolves, and the angelic descendants pledged to rid the world of evil. It revolves around the decimated werewolf pack dedicated to protecting Boston and a depressed vampire dedicated to helping one of the angelic Virtues as they battle the Wickers for control of the city. While the plot is engaging and made it hard to put the novel down, it also suffered from a lack of depth on the part of the characters and poor copyediting. Each of our four main characters is a caricature of a full person, a cardboard cutout of surface motivations and quirks, some of which may be the fault of jumping between close third-person from chapter to chapter; it did not give any of the characters a chance to evolve into something more complex. However, if you can make it through a rough first few chapters and don’t mind the simple nature of the characters, it is a pleasant read with plenty of action and a dash of romance in a desperate fight to the finish.
The Light Who Shines
During the 1600s, the first Vampire was created, bringing about extreme chaos and the beginning of the Red Ages.
Over two thousand years later, Bluebell Kildare, homicide inspector for the Supernatural Investigation Bureau, is faced with solving the murder of a boy found naked, tortured, and beaten near a bar. She is able to examine the emotions and feelings left over in the area, as well as of those near her through the use of her sixth sense; she is Gifted, and very good at her job. By closing her other senses off, she can focus in on the many emotions that permeate the area, so as to center her attention in on evidence and clues that others may miss.
Sadly, despite Blues passion for her job, and the other Daylight Vampires who ensure the safety of the people around them, not everyone during this time is so understanding of sharing the world with people who have come to be so different from themselves. Extremist groups, such as the Dilectus Deo, are constantly protesting the very existence of the Gifted humans among them and the Daylight Vampires that protect them from the dangerous Dark Vampires — beings who have fallen prey to their more base natures and given up their ability to roam in daylight after killing in bloodlust. It is a dangerous world, and it takes only the best and bravest to search after criminals who would do harm to others.
Fortunately, Blue is not only a talented investigator, but she also counts on the help of her boss, Jack Tanner or as she prefers to think of him, quite possibly the sexiest man alive. He exudes danger in a quiet, stealthy sort of way. I often think I should be frightened of him quite possibly because hes a very old and incredibly strong Vampire. But I cant seem to muster any fear, even when hes in an obvious rage. That only makes me question my sanity. Its a complicated and strained relationship but the clear and palpable tension between them only makes watching them work together all the more enjoyable.
In The Light Who Shines, Lilo Abernathy has created an amazing and fantastic world in which normal humans, Gifted humans, Daylight and Dark Vampires must coexist despite the magical dangers, intolerance, and greed that run rampant on a day-to-day basis. The mystery of the tortured boy is the driving force behind this intriguing novel. As clues are discovered, witnesses questioned, and tips followed from one place to another, it becomes progressively more disturbing to get closer to the person responsible for such a heinous crime. Yet, the more we learn about Blue and her commitment to fight for those who have been victimized by this bigoted society, the more we realize she is just the investigator needed to get to the bottom of these kinds of transgressions. She proves to be not only fully dedicated to her job despite any dangers that come her way including her own safety and surprisingly strong-willed for someone whos most prominent gift is the ability to sense emotions. Still, it is her imperfections and limitations that make her an even more likable character we can all relate to especially when it comes to her weakness for Jack.
As the story unfolds, it becomes increasingly evident that there is much more at stake than meets the eye. The torture and death of this young boy leads Blue down a path of unprecedented self-discovery and a much larger role she must play not only at the Supernatural Investigation Bureau, but the world. Furthermore, it brings her and Jack much closer than theyve ever been. The Light Who Shines is a fast-paced, extraordinary, and provocative tale of high stakes and deep losses that demands to be read!
Dreamtime: The Gil-Garem
Dreamtime: The Gil-Garems story involves Edmund Mortani, a soldier who fought for the Sorisentine Dominion during the Garemoth Wars. In those wars, he lost his wife, Eurydice, on a mission. He continues to be haunted by dreams and visions of her 10 years after the war ends. When robot attacks begin again, Edmund suspects the Gil-Garem have come back to life, even though they appeared to be eradicated a decade earlier.
From the start, it is clear that Dreamtime: The Gil-Garem was once a screenplay. Character actions are written in the present tense, and several errors in grammar, spelling, and formatting show that a good spell-checker and the Chicago Manual of Style were not contributing resources to this sci-fi epic. Upon finishing the book, I found out the author had created a hybrid tense system for writing around his screenplay format. While it was a good effort, subverting English grammar didnt completely iron out the difference in experience between screenplay and novel, and, ultimately, the author would have done better to start from scratch and use proper storytelling conventions.
Its difficult for a reader to grow attached to a character without even knowing what they look like. If this book were to be made into a movie, viewers would have the luxury of seeing what Edmund looked like, as portrayed by an actor, along with the other characters and the scenery. For the first several chapters, I felt blind, like I was feeling my way along the narrative with indistinguishable human beings and nondescript robots doing things. While it might have slowed the pacing, I would have enjoyed the book more for its ability to paint a clear picture of the action in my mind.
The atmosphere of the book reminded me of a Star Trek fan fiction, intriguing in its development and ideas, but amateurish in its execution. However, a major strong point the book has going for it is its action sequences. Edmund and his crew go on missions to determine what the robots are and where theyre coming from, and the fight scenes are described in richer detail than many of the other elements of the book. Clearly depicted scenery, deeply developed characters, and a coherent adventure plot are the cornerstones of a good sci-fi novel.
I will gladly enjoy a several-hundred-page space opera because I know from its in-depth world and character building, as well as the narratives ability to paint clear pictures and develop tension and conflict that its good science fiction. In addition, good science fiction addresses deeper themes: the search for utopia, the human condition, the hubris of man, or leadership under duress. While some broader ideas were touched upon, such as Edmunds sense of loss and the relationship between artificial and organic intelligence, the themes werent completely clear.
Dreamtime: The Gil-Garem was a good start; the shell of a more developed story, but it is sure to leave readers wanting more.
The Children of Darkness
In this case, you really cant judge a book by its cover. The Children of Darkness is not at all the post-apocalyptic tale that you might expect, based on the cover or the title. It is, in actuality, a delightful sci-fi/fantasy story about three kids trying to find themselves and achieve their potential through understanding their history and, consequently, the history of the world. While not categorized as a YA novel, I think it should be. There is probably more meat here that kids on the cusp of adulthood would find nourishing than more mature readers (although its not an unwelcome trip down memory lane).
Orah (the smart girl), Nathaniel (the strapping leader), and Thomas (the nimble artist) unwittingly embark upon a life-changing journey to find the truth after each has a teaching encounter with the vicars of the Temple of Light. In this post-post-post-modern world with little-to-no technology, defined castes, and isolation between communities, the Temple of Light controls all life functionsfrom how many children may be born to what citizens may think. These three kids bumble into a treasure hunt that will finally lead them to the truth about the darkness.
Litwack has created a gem that incorporates some of the best of the genre: Orah will likely remind many readers of J.K. Rowlings Hermoine (Harry Potter). Elements of the story arch are classic, but will seem particularly familiar to readers of Terry Goodkind (The Wizards First Rule). And while Litwack uses typical archetypes, his characters approach conflict in some ways that diverge from expectation while also providing enough of the familiar, tried and true not to disappoint.
The pacing of The Children of Darkness drags in places; all of the inner dialogue and story setup may not be appealing to every reader, and so you may feel a niggling desire to skip a few pages to get back into the action. But, in general, there is careful craftsmanship at play that endeavors to provide enough description without becoming bogged in unnecessary detailswhich could easily happen as Litwack creates an in-between world that is not quite medieval, but not modern either.
There are also seems to be a bit of a struggle with light and darkness not just in the themes but in the presentation as well; there is a tension in the novel that Im not sure is intentional. Litwack seems to want to convey the darkness of humanity but seems timid in just how much to describe, how dark to go. The story hovers in an uncomfortable realm that suggests horrors, but never truly shows them. There is order, but a sinister element bubbles just under the surface; however, Litwack never really allows us to look at it. Never giving into the grotesque or graphic for graphics sake, Litwacks restrained pen seems to be the balance to contemporary sci-fi productions (Mad Max: Road to Fury , Dredd ). There is something about the seemingly inevitable direction of the story that wants some moment of violence, something explosive in the pot that the three young adults stir.
If it is Litwacks project to complicate the notions of good and evil, he succeeds. In unexpected ways, he shows the fallibility and potential of human beings as a race and as individuals to effect changeperhaps neither for good nor ill. There is much to unpack here and a great deal worth expecting in the sequel.
A good read if you check your expectations at the door.
After delighting growing fans with a classic ghost story in Heart-Shaped Box and a tale of terrifying horror in NOS4A2, in his latest tome, weighing in at 768 pages, Joe Hill presents his world on the edge of apocalypse. No one really knows how or where it started, but wildfires are tearing through the country and they’re being cause by people. Now, when I say “people,” I literally mean people are bursting into flame and starting these fires.
Doctors call it Draco Incendia Trychophyton, but everyone else refers to it as Dragonscale. It’s a highly contagious spore, and you know you’ve got it when you find these lustrous black and gold bands on your body. It’s unknown what happens in between getting the scale and spontaneously combusting, but there are a lot of people burning up, and society is starting to fall apart. There are roving gangs looking to put an end to anyone with the Dragonscale, to prevent it spreading further. Meanwhile, the government says it’s working on a cure, but really has no idea what it’s doing. Things escalate and continue to get worse and worse.
Our story focuses on Harper Grayson, a talented and compassionate nurse who cares greatly for others and is working her butt off with the current crisis. Her husband, Jacob, barely sees her and doesn’t really get why she’s trying to save all these people with Dragonscale. When Harper contracts the spore, he goes off the deep end mentally, and it turns into a very different relationship. Harper doesn’t need convincing and tries to get the heck out of dodge, but Jacob has other plans. Harper makes it out of the house, but the maniac formerly known as her husband, is after her. That’s when the tall drink of water with a British accent known as The Fireman comes to save the day.
Harper joins a commune where they have apparently mastered the power of Dragonscale. By joining together and singing, they are able to control the incendiary ferocity of the disease and keep themselves alive and well. But, in any group fighting to survive, tensions are strained, and stress is at an all-time high and things turn into a kind of Lord of the Flies situation. But there is a rumor that has become legend of an island off the coast of Maine where they are taking in people with Dragonscale, where they can live a nice, normal life without prejudice or persecution.
The Fireman is a wonderfully original tale that takes a few elements like plague and fire and churns them into a compelling story. As with all stories of an apocalyptic nature, it is ultimately about the choices and decisions that people make to survive. Hill’s characters are varied and interesting and definitely give the novel and realistic feel. The middle of the book lags a little and, overall, could have had some pages editorially excised, as the downturn of the commune gets pretty predicable and uninspiring. But the last third of the book is nonstop action, and, even though Joe Hill seems to suffer from his dad’s problem of executing a good ending for the book, The Fireman is a fun escape from you mundane life into a world of fire and fighting and people who give a damn.
Sunborn Rising: Beneath the Fall
Barras world is dying. Slowly, ring by ring, the loft grows darker, less vibrant. With clues left in her fathers research notes, Barra and her friends, Tory and Plicks, must find a proof to show the elders. To save their world, they must Fall and go farther into the darkness than anyone before them.
Sunborn Rising by Aaron Safronoff is a young adult novel set in the imaginative world of Cerulean. Safronoff has built a rich and vibrant world, full of layers. Each of the main characters is unique and complex.
Barra, Tory, and Plicks are typical teenagers still on the threshold of childish behavior, but wanting to be taken seriously in their thoughts and endeavors. As with most coming of age sagas, this leads to trouble. The story really picks up about a third of the way through when the trio makes the discovery that leads to said trouble.
The accompanying drawings are beautifully detailed and allow the reader to see the world of Cerulean through the eyes of its creator. They are reminiscent of the movie Avatar in the vividness and color palette.
Although the descriptiveness of the writing will be sure to appeal to the YA crowd, the author uses a bit of a higher level of vocabulary, so older readers shouldnt feel like they are reading a childrens book. Dont be surprised if you have to look up the definitions of a couple of words.
My one complaint regarding the story is the elders journey to find the wayward trio. It seemed glossed over and summarized in an effort of expediency to move the story forward.
Even though Sunborn Rising is the first part of a two-part series, it doesnt end in a huge cliffhanger. While it sets up for the second half of the battle, it provides a satisfying close to the first chapter. That isnt to say you wont be left wanting to know what happens next, but you also wont feel like you were left with no answers to the saga that took place.