A Treason of Magic by Melissa Marr, 47North, $ 16.99 This novel feels like stepping into a lush, thorn-wrapped fairytale where desire hums beneath every choice. In A Treason of Magic, Melissa Marr crafts a romance that is as dangerous as it is intoxicating, pairing Gabrielle and Isabeau in a story shaped by duty, memory, and rekindled love. The tension between them crackles—equal parts longing and restraint—as monsters stalk both the woods and their hearts. Marr’s prose drips with atmosphere, and the emotional stakes land with precision. It’s a sweeping, slow-burn queer romance that balances aching vulnerability with feral, defiant hope. Click Here to buy the book!
The Open Era by Edward Schmit, Berkley, $ 19.00, 368 pages Game, set, swoon. The Open Era by Edward Schmit serves up a romance that’s as exhilarating as a five-set final. Austin and Diego’s chemistry builds with each rally, their connection unfolding in glances, banter, and quiet moments off the court. What makes this story shine is its emotional honesty—Austin’s anxiety and the pressure of visibility are handled with care, grounding the romance in something deeply real. The result is a love story that feels earned, electric, and tender all at once. By the final page, your heart is doing its own victory lap. Click Here to buy the book!
Dearly Departed by Chip Pons, G.P. Putnam’s Sons, $ 20.00, 400 pages Let’s set the scene: a grumpy ex-god running a funeral home meets a sunshine florist who refuses to be dimmed. In Dearly Departed, Chris Pons blends myth, humor, and heat into a romance that practically sparkles with personality. Hayden and Levi are opposites; most satisfyingly, their dynamic is equal parts snarky and sincere. Beneath the banter lies a surprisingly tender exploration of identity, purpose, and second chances. It’s funny, yes—but also quietly moving. Like a bouquet at a wake, it reminds you that even in endings, something bright can bloom. Click Here to buy the book!
The Halls of the Dead by S. M. Hallow, Harper Voyager, $ 30.00, 352 pages
Dark, decadent, and fiercely romantic, The Halls of the Dead by S. M. Hallow reads like a candlelit séance where love refuses to stay buried. Irene’s devotion to Agnes is haunting in every sense—aching, obsessive, and beautifully tragic. The gothic atmosphere is rich enough to taste, with necromancy woven into every emotional beat. What lingers most is the complexity of love after loss: what it means to hold on, and what it costs. This isn’t a light summer fling—it’s a stormy, shadow-soaked romance that dares to ask if love can survive even death itself.
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